Qiong Yao is a significant figure due to her prolific literary and media contributions, including nearly 70 novels, 55 TV scripts, and over 500 episodes of TV dramas, which have earned her approximately 1 billion RMB in copyright revenue. Her works, such as 'Huan Zhu Ge Ge,' have had a profound impact on Chinese popular culture, particularly in the realm of romantic storytelling.
Qiong Yao's unique and consistent aesthetic in selecting female leads, known as 'Qiong Yao girls,' has left a lasting impact. She had a keen eye for beauty and talent, often discovering actresses from obscurity and casting them in roles that showcased their unique qualities, a practice that has become a hallmark of her legacy in Chinese media.
Qiong Yao's personal experiences deeply influenced her writing, as she often drew from her own life to craft stories of love and heartbreak. Her ability to transform personal pain into compelling narratives allowed her to connect with a wide audience, making her stories resonate on a deeply emotional level.
Qiong Yao has faced criticism for allegedly promoting a 'love above all' mentality, with detractors claiming her works prioritize romantic love over other values, such as personal integrity or social responsibility. This has led to debates about the messages her stories convey, especially in the context of modern feminist discourse.
Qiong Yao leaves behind a legacy of pioneering romantic storytelling in Chinese entertainment, with her works continuing to influence TV dramas and literature. Her ability to capture the complexities of love and her distinctive casting choices have cemented her status as a cultural icon whose impact will be felt for generations to come.
20241204,我们一起好好告别,说声走好,愿她「翩然」
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shownotes,
00:40 奇妙的感应
04:20 不能因为情爱主题就弱化她的才华
07:35 琼瑶的女性审美至今内娱无代餐
16:36 三观正与不正都是别人说的,她不过在写女性在写爱情
24:25 没有经历就没有故事,不要谴责正在经历故事的主人公
25:45 为自己负责,别恋爱脑怪琼瑶
26:57 对一个人抱有激情这件事并不常有,你要为你能拥有这种激情而珍惜