In 1850, Robert Schumann accepted a position as the new Music Director in Dusseldorf. This job had a lot of responsibilities, including conducting the city orchestra. Schumann, along with his wife, the legendary pianist Clara Schumann, and their 7 children moved to Dusseldorf. The city made a huge to do about the Schumann’s arrival, welcoming him with balls, speeches, and parades. This was a new adventure for the Schumann family, and Robert, at least at first, was invigorated. He loved the less reserved personality of the residents of Dusseldorf, and he was deeply inspired by the Rhine river. Very quickly, Schumann had begun composing at his usual feverish pace. He wrote his cello concerto in just two weeks, and then he began a new symphony, what would turn out to be his last symphony. It would be a celebration of the Rhineland and all of its prosperity, beauty, and charm. Soon after the symphony was written however, the euphoria turned towards catasprophe. Schumann was not a good conductor, and the musicians of the orchestra soon turned bitterly against him. His compositions were still not well understood, and his mental health began sliding towards a crisis point again. So Schumann’s 3rd symphony, the Rhenish, really represents a snapshot in time - a time of euphoria, of joy, of possibility. It is this boundless energy that comes up again and again in this remarkable symphony which we are going to talk about today. We’ll discuss the wonderful varieties of joy Schumann includes in the piece, its unusual structure, it’s transcendent fourth movement, and the unique challenges of performing Schumann’s music, which often bedevil conductors to this day. Join us!
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